New York City, recognized for its dynamic art scene and iconic landmarks, is about to gain a new addition that alters the way we see one of its most common residents - the pigeon. "Dinosaur", a 16-foot tall aluminum sculpture, is set to be installed on the High Line in October, captivating pedestrians and office workers alike. This hyper-realistic work by French artist Iván Argote aims to challenge preconceived notions about pigeons and inspire New Yorkers to see them in a new light.
Often denigrated as "flying rats," pigeons are generally viewed as dirty and undesirable. However, Argote's sculpture aims to alter this perception by emphasizing the fascinating history and significance of pigeons in New York City. The High Line's associate curator is hopeful that the artwork will inspire people to view pigeons as iconic New Yorkers rather than vermin.
The sculpture, fabricated in Mexico and painted in New Jersey, will be hoisted onto the High Line's Plinth, a rotating series of large contemporary works of art. This high-visibility location above the intersection of 10th Avenue and 30th Street will ensure the sculpture is seen by thousands of passersby. The artwork, perched on a 5-foot-high plinth designed to resemble a pigeon's natural environment, challenges traditional ideas of what is considered monumental and worth celebrating.
"Dinosaur" is more than a whimsical representation of a pigeon; it carries a deeper symbolic meaning. The title references the pigeon's ancestors who once ruled the world like humans do today. It also hints at the eventual extinction of both dinosaurs and humans, suggesting that remnants of humanity may persist in the shadows and crevices of future worlds, just like pigeons do.
Pigeons have a rich history in New York City. Much like many of its residents, pigeons are immigrants who arrived in North America in the 1800s. They were used in wars and as messengers, saving countless lives by delivering messages quickly and reliably. Despite their significant role in history, pigeons are often overlooked and dismissed.
The sculpture's placement on the High Line invites viewers to ponder their own relationship with the natural world and its inhabitants. It serves as a reminder that everyone, to some degree, is an immigrant, including pigeons. By challenging perceptions and highlighting the shared history between humans and pigeons, "Dinosaur" encourages a reevaluation of the city's iconic bird.
The installation of "Dinosaur" on the High Line is part of the Plinth program, committed to bringing large-scale contemporary art to public spaces in New York City. Previous commissions have included works by renowned artists such as Simone Leigh and Sam Durant. The selection of Iván Argote as the youngest artist and the first from the global south demonstrates the program's commitment to showcasing diverse perspectives and pushing public art boundaries.
The colossal aluminum pigeon sculpture is sure to stir conversations and trigger a variety of reactions from New Yorkers. Whether you love it or hate it, "Dinosaur" will be a thought-provoking addition to the city's art scene. As it towers over the streets, it invites viewers to challenge their preconceived notions, appreciate the beauty of pigeons, and perhaps even reconsider their own place in the ever-evolving urban landscape.
The installation of Iván Argote's "Dinosaur" on the High Line alters the perception of pigeons in New York City. By emphasizing their historical significance and shared history with humans, the sculpture invites viewers to see pigeons as iconic New Yorkers rather than vermin. As the sculpture overlooks the city streets, it serves as a reminder of the interconnectedness between humans and the natural world. "Dinosaur" invites passersby to pause, reflect, and reconsider their relationship with the city and its inhabitants.